In my last post I talked about complexity specifically in the work of Oliver Vernon . His work is merely one example, and lest I appear like a detail junky or something, I should say that the work does come off as a bit epistemically barren. I wouldn't say it's only formalist in its concerns though. Maximalism is interesting in itself as a concept.
Although I could say....
... and that would be interesting. But for something different I thought I'd mention a piece we discussed in Modern Chinese Art History class the other day.
The work of Cai Guo-Qiang's work is fascinating. This piece in particular is based on an ancient Chinese fable about two armies. During a great battle in the 3rd century (I think) one army ran out of arrows. So they devised a clever trick to send over an empty boat in the dead of a foggy night. When the boat reached the other army they reacted and shot innumerable arrows at it. Somehow the first army got it back and retrieved the arrows to use in the next battle.
Although I could say....
... and that would be interesting. But for something different I thought I'd mention a piece we discussed in Modern Chinese Art History class the other day.
Cai Guo-Qiang "Borrowing Your Enemy's Arrows" 1998
The work of Cai Guo-Qiang's work is fascinating. This piece in particular is based on an ancient Chinese fable about two armies. During a great battle in the 3rd century (I think) one army ran out of arrows. So they devised a clever trick to send over an empty boat in the dead of a foggy night. When the boat reached the other army they reacted and shot innumerable arrows at it. Somehow the first army got it back and retrieved the arrows to use in the next battle.

